An upset Natalie turns on her good friend.
- You talking about the.
- And I'm doing more sh*t
than all of y'all.
- You doing the hosting.
- I'm hosting,
and I'm motherf*cking.
- Don't be talking about
the hosting.
- And I'm performing.
- I think the performers
should get paid more.
Let's go.
- Yes,
Baddie Bus, Baddie Bus.
- We on our way to Club Monarch.
Do we know if Chrisean's gonna make it?
- She's on the way,
she gonna be there.
- Oh, good.
- She is?
- Yeah, she gonna be there.
- What up, blood?
- Whoo.
Back with the bitches.
Bring up some Baddies.
- The DJ equipment starts acting up.
- We got Sky, the DJ, f*cking up.
I'm not finna let the show fold
because of a mishap.
- Tommie done slapped the damn fan.
We cannot be doing this, you guys.
- I was performing, next thing you know.
- She was.
- I just seen Tommie hand
go all the way back.
And smack the sh*t out this bitch.
It was still unorganized,
again.
- Why you fight Razor, man?
Yeah.
- I fought Razor.
- I feel like
you be fighting 'em 'cause
they be talking that sh*t.
- Drama.
- I actually wanna fight
both of y'all, you and you.
- And that's fine.
- 'Cause last time
I fought you, you jumped me.
- And that's fine.
- Oh, baby.
- Last time I fought you,
you jumped me.
- Oh, baby.
Oh, baby.
- Last time I fought you,
you jumped me.
- Make my day.
- So we gonna run it
back to back.
- Make my day.
And let's leave it at that.
- Everybody sit down.
- What you getting up for?
- No.
- What's she getting up for?
- No.
- No.
- No.
- Make her sit
the f*ck down then.
- More nails.
- Bitch, what the f*ck
is you getting up for?
- Once Stunna made that comment
that she wants to fight
Biggie and Tommie again,
I just knew the dinner was over.
We might as well call, "Check."
- Sit down, sit down.
- Bitch, you jumped me
the last time I fought you.
- I'm not gonna.
- You was a bitch.
- You ran, bitch.
- That's all them bitches do.
- Sit down, guys, sit down.
- Oh man.
- See, y'all just f*cking.
- So since we running fades tonight,
that's what I wanna do.
Tommie's sitting here
trying to give Biggie advice
and be the f*cking mediator,
and I let that bitch know,
"Hell, I wanna fight both
of y'all, so what's up?"
- It ain't on your time.
- Come on, y'all,
we having dinner.
- It's gonna be on my time.
- Sit down, everybody, come on.
- Let's settle what we gotta settle
when we get back home, y'all.
- Yeah,
everybody relax.
- Let's hype it up.
It's gross, it's so fake, no time for it.
Bitch, do what you gonna
do and stop talking.
- Y'all want me to have a meal, bitch.
- And we all good.
- That sh*t makes me sick.
- f*ck.
- Bitch, that sh*t,
and I'm a fat bitch.
- Biggie, you gotta stop
being disrespectful.
- I love to eat.
- Biggie,
stop talking about it.
- I love to eat.
- Stop talking about it,
that bitch love this.
Why you sitting
over there like that?
- They clout chasing.
- She's smiling, bitch.
- They love this,
they love this.
- She's suped
she's on TV, bro.
- They love to go
back and forth, we don't talk,
nigg*, where we from?
- TV though?
The East Coast.
- Do we talk?
- Never.
- All right, move like that,
move like that.
- You're gonna sit there
and call out people,
you're a weirdo,
you're not getting no props for that.
You're like 100 pounds soaking wet, bitch.
Literally, I feel like
you have a death wish.
That sh*t's like, what?
- No, I feel like
everybody trying to have an opportunity
to get to know people here.
- What?
- But sh*t be popping off so f*cking fast,
how can you?
- But we can't come back from.
- I feel like we can if everybody just.
- Stunna, you can't come back.
- Natalie, please
get up and say something.
- 'Cause she jumped you,
that's what you said?
- Please.
- Yeah.
- Please get up.
- All right.
- Girl, can we all just
sit down and eat in peace?
What I would like us to do
is have a nice dinner real quick,
and let's talk about
what we're doing tonight.
- We're not having dinner,
we're getting pretty lit.
- We are about to eat
and we're about to have some drinks.
- No, f*ck.
- And I think
that's what we need.
- sh*t,
let 'em hash it out.
- To just focus on that.
- Let 'em hash it out.
- Let's talk about
tonight.
- At the house,
'cause at the end of the
day, that's the only way
it's gonna be done.
- Let's stop talking about
the issue.
- Exactly, but I don't think
it's gonna be done after that.
So we're sitting here,
and Biggie starts giving Stunna
this weird, crazy ice
grill, like she mugging.
Like I ain't never seen no
sh*t like this in my life,
it kinda gave like creepy Lifetime vibes.
Boo, bitch, what the f*ck
is you staring at me for?
What is you staring at me for?
- She's bored, bro.
- What are you staring
at me for, what, bitch?
Damn, what do you wanna do?
- Who we booking next?
- Bitch.
I just feel a bitch staring at me.
I look up and it's this bitch, piggy,
looking at me like she
wanna take a damn bite.
I'm off it now, I'm off it.
We gonna get it up at the
house, leave it at that.
But all that staring and
mad-dogging, get the f*ck
outta here, bitch.
- Don't let it faze you,
don't look at her.
- The f*ck?
- Then you won't know
she's staring at you.
- Razor, Razor.
- Don't worry about it, baby,
just let it go.
- Oh yes, thank you.
Bitch.
- Just want everyone to shut the f*ck up.
Can y'all just have the decency
to sit here and eat like women?
- Fraud.
- Stop.
- Bitch, you're a fraud.
- Stop.
- You start talking Spanish
when the cameras come on.
- Why are you talking?
- Biggie.
- You don't talk Spanish
on the regular, bitch.
- Don't talk to me, Scotlynd.
Please, I'm asking you nicely.
- No, chill.
- Leave me alone.
- Girl, I'm not gonna
talk to you.
When the cameras come on.
- So you gonna let her say it
and I'm saying the same thing.
- But you don't talk like that
in normal.
- For real, man,
just stop even looking at her.
- Bitch, you're a character.
You do it for the camera.
- You said something
for her to react.
- Bitch,
you do it for the cameras, bitch.
- Stunna's sitting at
the back of the table
just running her f*cking mouth,
and she swears that she's really somebody,
like, girl, you're a dirty-ass rapper,
you literally snitch on
everybody that comes near you,
that's why you got the beefs you got,
you're a nobody.
- Let's just change the topic.
- Y'all pick and choose
on who y'all really wanna
f*ck with, just say that.
What we doing?
- And we finna make us
some money, and.
- And we finna get to
the resolution of the old money.
- Right, let them nigg*s know.
- Which y'all already owe,
'cause everybody keep asking,
"Where's the money from last night?"
It was a miscount.
- Bro.
- What? You're not sharing.
- You put you're finger
in my mashed potato.
Here comes Chrisean all over the place
and puts her hands all
in my mashed potatoes.
Like, girl, you have no
class, etiquette-acy at all.
I love you, Biggie.
- You know, I love the
Natalie and Chrisean,
big-sister, little-sister relationship,
because at the end of the day,
if it was my little sister,
"Bitch, why
the f*ck you put your hand
in my goddamn potatoes?
Don't do that."
- She replaced what I.
- No, 'cause this sh*t
is weird as f*ck, bro.
- What, bro?
Come on.
- And there's you
talking to me like I'm a
corn in front of her, bro,
that sh*t's weird, nigg*.
- No, it's not.
- That sh*t's weird, bro.
- I'm real.
- Rock, yes, you are, bro,
on my moms.
- I'm real, bro.
- Biggie.
- Oh my God, bro.
- Yo.
- I don't do none
of this TV sh*t, it's weird, bro.
You people are weird, bro.
- Biggie, Biggie.
- That sh*t's weird, Rock.
- What?
- That sh*t's funny, Rock.
Look at that, bro.
- No, it's not.
- That's sh*t's funny, nigg*.
That sh*t's weird, nigg*.
That sh*t's weird, bro.
- You're being emotional, bro.
- No, I'm not, nigg*, I'm not a corn.
And then you sitting there.
- Because I see
where she coming from.
- No, bitch.
No, bitch.
- You not ready to let it go.
- No, f*ck her, bro.
I personally don't feel like Chrisean
was trying to diffuse the situation,
I feel like she was just
trying to get me to let it go,
but it's like, Rock, would
you have let that sh*t go?
No.
- So she sneak you?
- f*ck that,
and all these cameras, bro.
- Come here,
come over here, Rock.
- Yeah, what y'all need,
like a clean fade?
- No, bro, baby, baby.
- Tell me what you need.
- f*ck her, f*ck her, nigg*.
- We can,
y'all got no solution to the problem,
but want the problem
to be a problem still.
f*ck y'all, can we go?
- Ugh.
- I'm ready to go.
- I'm just hoping that
all of these ladies,
even throughout all of this goofy sh*t,
can still put their pride to the side
and let's get the bag,
'cause we still have a job
to do at the end of the day.
- Keep your energy up, we
still have throws tonight.
We still gotta make money.
- Look, your devil horns is up.
All right, Natalie, so.
- Natalie, you.
- Tuesday is our last night,
come on, put your drinks up.
- Cheers.
- We're gonna toast
to having a good night,
make us some money.
- Bitch, I'm about to pull
two bottles.
- And we're gonna have
a good time, all right?
Let's keep the energy.
- That part.
- Cheers.
- Cheers.
- What happened to the plans?
- So it's at the dinner, we on the bus,
we headed to the club,
like everybody's separated
so there's no fighting on the bus tonight,
because we gotta get to
the club to get to the bag.
Aw, y'all excited for tonight?
I feel like the energy just be so.
- Iffy?
- Yeah, it's like, I don't
know whether to turnt up
or keep my head on a swivel.
So that's why I feel like the petty sh*t,
I'm looking at the bigger picture, bitch,
I'm like, "After this show,
we could still be on tour,"
like we could be on tour
'til the end of f*cking time.
Bitch, we the goddamn Spice Girls,
like what the f*ck?
Like I'm not thinking about that sh*t,
I'm thinking about the bigger picture,
and we could all help each other.
- I told her I wasn't
talking to her.
- Rollie, if I ain't with you,
- I got.
- And that's what it was.
- But at the end of the day,
that don't even matter no more.
I don't like dwelling on the past.
We here to get money,
I don't like the fact that
you're separated from the cast.
I done said that multiple times.
I don't like the fact
that you're not enjoying the experience
as you supposed to.
It's a little bit of tension on the bus,
especially from after the conversation
that just went on at that dinner table.
So me being me, I decide,
instead of always going to the back,
this time, I'm actually
gonna sit in the front
with Stunna Girl.
Because it's not fair.
- No, I think I'm in jail,
again.
- It's not fair.
- I'm like,
they be locking me in a room or somewhere,
and I be like, "For what?"
- But you're doing that though.
- I'm not doing that.
- Look, mm, yeah, you are.
- No.
No, the f*ck
I'm not.
- "Mm, yeah, you are."
- I just feel like she probably feel like
it's everybody against Stunna,
but she coming at every
f*cking situation hot
'cause she feel like
bitches jumping down her throat,
you know what I'm saying?
If you asking for people to respect you,
give that same respect in return.
- And I'm like, "Bro, there's
10 other people in here."
- That's understandable.
- Why every time the cameras
is on, it's always focused on me.
I don't even come in
the scene and be like,
"f*ck you, bitch, you did this yesterday."
I be sitting there quiet,
and then everybody just
come for me at one time.
And that's why I be getting separated,
'cause it's like, "Bitch,
y'all could have a different
topic or discussion,"
every time, literally.
- No,
that is understandable.
- Every f*cking time.
We could go right now to the club
and we gonna all be in a scene,
we gotta sit down and do a scene,
they're all gonna be talking
to me and coming for me.
For what?
- You know, every time.
- 'Cause you're the topic.
- 'Cause you're the topic.
- It's still like, well, fine.
- 'Cause you're
the problem child of
the season.
- Certain sh*t, little small sh*t,
like that sh*t shouldn't matter,
we should move past that.
Like I'm trying to get to a bag,
like I'm tired of fighting,
and I just feel like we just
need to all come together.
- Some people gonna come together
and some just not.
Some just not, I feel that.
- And that's okay.
- And then, well, you know
what my solution to that is,
y'all can go.
- I'm with the whole sisterhood, sh*t,
all that us making money.
nigg*s can eat,
and I wanna see everybody eat,
just not at my table.
- You can't keep following
her behavior.
- Exactly,
I feel like, bitch.
- Sorry, you follow
her behavior to keep acting the same way.
I fell in that trap.
- You a boss at the end of the day,
and that's what you showed me.
- I appreciate it.
- And I feel like
you need to keep that f*cking energy.
You stepping down to peasants,
you know what I'm saying?
If you feel like somebody
not letting sh*t go,
that's because
they not thinking of the
greater, bigger picture.
- I'm not saying you're wrong,
all right?
- I'm just saying
it's a hard situation.
- Because
you are completely right.
I'm just trying to get in this club
and do our motherf*cking
thing and enjoy ourselves.
Hopefully she stays to her
side and I'll stay to mine.
- Oh, we're already at the club.
- We pulling up.
- I got a blunt.
- Get it away from me now.
- Wake that ass up, Scotlynd.
- For real.
- This is our last night in Phoenix.
We gonna go out with a bang
and we gonna kill this motherf*cking show.
Let's just keep this sh*t
motherf*cking player, for real.
- So now we're ready go kill it,
in the name of Jesus.
Sing it with me.
- It's madness outside,
they literally had to put up barricades
so that we could get into the building.
- It's packed as f*ck.
Like soon as we walk up,
it's motherf*cking ass
to puss* in that bitch,
it's hella people there.
- We're walking in and it's crazy,
we could barely get into the club,
but we go into the first room,
which is a room full of fans.
We're showing them
love, we hyping them up,
but we gotta get to a whole
nother area in the club
where the main stage is
so the girls can do their performances.
- We walking through, this
is outside and it's lit.
We walking through, we get inside,
it's even more lit.
Baddies,
Baddies, Baddies, Baddies.
All right,
y'all, and now, y'all ready?
Y'all ready to get it started?
If y'all wanna see the
Baddies, make some noise.
- Wait, wait, wait, stop.
Hold on, y'all, stop
the music from playing.
Give me the mic.
Wait, wait.
Y'all are smashing people,
she cannot f*cking breathe.
Back the f*ck up.
It's so packed that I see
a girl in the audience
literally getting
smashed and she's crying.
It looked like she couldn't breathe.
So I had to literally
stop Natalie from talking,
grab the motherf*cking mic
and pull her out the crowd,
because I was really concerned,
we don't need none of that sh*t going on
during the f*cking filming of "Baddies",
or even any tour we ever even do.
We don't need none of that,
it's not that serious.
- Yo, tell me, we about
to do this damn sh*t.
Yeah.
- You know it.
- Yo, I wanna introduce
the Baddies of the West.
All of us up here on the stage right now,
we the f*ck outside.
Make some noise for Stunna Girl.
Yeah.
- Make some noise for Cat.
Mm.
- Make some noise
for Scotty with the body.
- Hey, start it.
- Make some noise for Rollie Pollie.
Make some noise for Biggie.
- We love you, Rollie.
Make some noise for Lo London.
- Let's go, let's go.
- Phoenix has been my
favorite spot so far,
like the fans' energy
is just like next level.
- Make some motherf*cking noise
for Miss motherf*cking Razor.
Hey, hey.
- God damn.
- Make some noise
for motherf*cking Natalie Nunn
right now.
- Yeah.
- Make some noise for
motherf*cking Tommie Lee.
Yeah.
"Baddies West", but hold on,
we can't forget somebody,
make some noise for DJ Sky.
I want y'all to make
some noise for Chrisean.
- So I finally get the mic,
Natalie welcomed me on the stage,
everybody go crazy, I get goosebumps,
'cause it was like, that's
the loudest I ever heard them.
- Chrisean say she wanna go first,
I don't have no motherf*cking,
listen, have at it.
The first person who go on,
everybody know that's the opener,
headliners go last.
As long as I got last, I
don't give a f*ck.
So tonight was lit,
I actually had the most fun.
I didn't even know that
they could party like that.
Y'all had the sh*t packed out and lit.
- The fans know my music energy was up,
and it's two bitches in the corner,
the Two Musketeers sitting there
with the stink face.
Like what the f*ck is
you bitches looking at?
Biggie ugly fat sitting in the corner
with her motherf*cking hand on her dick,
like, staring at a bitch.
Like, girl, is you hungry, bitch,
you wanna bite me?
- And Stunna Girl knew,
her whole performance,
I'm waiting for her.
She inching and she inching.
Natalie.
Natalie over here thinking
it's f*cking funny,
standing in the middle of the stage.
I promise you, Stunna
would've took one
off the f*cking right side,
I promise y'all, I would've
knocked her f*cking head off.
That's her sh*t.
- Biggie was waiting on her moment,
she was just like,
when she get into her
big one, her big moment,
"I just wanna knock that
bitch off the stage."
So I was like, "Yo, this
the time right now, friend."
Of course I'm producer,
but at the same time, I'm still street.
- It's just so much
energy, I love it here,
and I just wanna be out
in the crowd a little bit,
'cause the audience is
giving all the energy,
I love that sh*t.
- DJ Sky, hold on, hold on.
Who's in the contest?
- Oh no,
yo, no.
- Let's go, let's go.
Let's go.
Let's f*cking go.
In true Baddie fashion,
we had to have a real
Baddie twerk contest.
- Yeah.
We have a winner.
Yeah.
- We have a winner.
- This night was lit,
I ain't even gonna lie to you,
like the energy was crazy.
But we're gonna head over
to the meet and greet
where the fans paid extra money to see us
so we can show them how much
we appreciate them and love them.
- Bring 'em in, let's go, let's go.
- Now we're having a meet and greet.
We got a line out the door,
like I love the energy from fans
and I just love interacting with them.
At the end of the day,
bitch, I live for my fans.
- Hey.
- Hey.
- In the club.
- Even though I was tired,
it still feels good
to have this meet and greet with my fans
so they can know that I love them
and I really show them love back,
you know what I'm saying?
So we did little pictures and whatnot,
but by then, a bitch was ready to go home.
- This is the end of our Phoenix trip.
We're ending it on a high note,
everybody did they f*cking big one,
and on to the next city.
- I love y'all, from Chicago.
- Yeah.
- To the motherf*cking
West Coast.
Hey, much love.
- Portland.
- Let's go.
So we landed in Portland,
you know, the Baddies are here.
And we're about to get on the bus
to head to the Portland house.
The vibes was lit on the plane ride,
everyone's in good spirit,
so I hope it can stay that way,
because we're in Portland, let's go.
Yo, shut up.
Right, shut up, bitch.
- So we just got off the PJ in Portland
and we're about to go
head to the Baddies house.
I can't wait to see it.
- What's popping?
I'm sitting right here.
- Okay, on the side.
- On the right side.
- Right.
I'm not stunting, it's DJ Sky.
- Yeah, there she is.
- Yeah.
- Sky, Sky.
Pull up.
- We miss the vibes, bro,
we miss the music.
Girl, we need that.
- Yeah, where you at, Sky?
Like that, get on the aux.
- Get on the aux.
- Yo, Sky,
what you doing, Sky?
I'm drinking today.
- Oh yeah?
- She's drinking today.
- Don't piss me off, Sky.
What the f*ck I do?
- Just don't piss me off, Sky.
- Chrisean, what?
- Listen, I'm drinking today.
- All right, but, hey,
all season, you know, I'm
letting you do your thing,
but don't piss me off.
You're drinking, all that.
Where the f*ck that
come from?
- You gotta get back over
here to your bed.
- Damn, like, what did I do?
- Come over here,
get high with me.
- What is that, a typewriter?
- Bring that ass back here.
- They put some restrictions
on my travel.
- That ass is perfect.
- Yeah,
I thought you were saying.
- She don't
have no celly.
- Nah, they were saying
her ass is fake.
- So that's why I showed
my ass, and I was on some freak sh*t.
- And she said, "It's real," and we like.
- I think her ass is.
Real, she said it real.
- I don't know, I be touching that,
her sh*t be soft.
- What? You said that.
- Like I've been.
- Right.
Everyone's discussing
Sky's ass.
f*ck it, that's her motherf*cking ass.
I love Sky's ass.
- Yeah.
- I said that sh*t soft
and she ain't got no celly on.
No celly.
No, no.
No, bitch.
- I don't know what.
Y'all wanna
talk about my shorty
- like that?
- I didn't say nothing.
- So I hear, "Oh, Sky
got such a nice body,
I wanna know if it's real or not."
And I'm like, "Wait."
So we can ask her.
Hey, Sky.
- Hey, Sky.
- We always talking about the bitch ass,
it was just like, "Go get Sky
so we can hash this sh*t out."
We was just having a whole
f*cking debate about her ass
and she's right here.
Come on, talk.
So nigg*, we're like,
all right.
- This is the beat, nigg*.
- All right, yeah, let's
talk, next subject,
let's talk about.
- It's the beat, nigg*,
right here.
- She getting undressed,
'cause she already know
what y'all talking about.
- Turn around, turn around,
turn around, turn around.
- That's what
I'm talking about.
- Make it clap, make it clap,
make it clap, make it clap.
- All right, look.
- I said your ass perfect.
- All right, all right.
- She literally, she said.
- All right.
- She said, "Sky ain't got
not cellulite."
- You don't have no celly.
- Don't do that.
Yep, you see, this all me,
this all mine, what y'all talking about?
Y'all, y'all
just wanna touch it,
I get it, I get it.
- My nigg*.
- You said
it was fake last night, and I said,
"I don't know, but it's fine."
- My nigg*.
- Yeah?
- When I first met her,
I didn't ask her if her ass was real
or fake.
- You said it was fake.
- I assumed it was fake.
Everybody keep talking about her ass,
and then like, you know,
they're like, "Yeah, that's your friend,
so her ass fake or not?"
And I'm like, "I don't think it's real."
- Wait, if you bothering
me, bitch.
- That's when I'm like,
"Hold up."
- You want sauce,
'cause I don't bother nobody.
- Yeah.
- I be minding my f*cking business.
Bitch, I'm about money.
I'm not about none of that sh*t.
- Okay.
I'm sitting up front,
'cause it's a lot going
on in the back, as usual,
so I was like, "I'ma
sit in the front today
and really try to like
get to know Stunna Girl,"
'cause she on the bus,
and Cat is on the bus as well.
I just feel like, in real
life, you know what I'm saying?
- In real life, bitches will play with you
until you show them what the f*ck type
they're messing with.
- That too.
- I'm not doing that sh*t.
- It was like, the instant disrespect,
I instantly just went on go,
you feel me?
- Yeah,
it was.
- Like every single time
I be sitting here
minding my business.
- Okay.
- On that young bullsh*t, like keep trying
to f*cking send you, nah.
- And a bitch will just say
something to me and it'll be like,
"All right, now you ready to fight now?"
And then they look at me like I'm crazy,
'cause it's like, "You
over here talking to me
some type of way, bitch."
- Because I did feel like,
some situations, I'm like, "Okay, well,
bitch, you still over here talking sh*t.
The girl said she cool on you,
but then you be throwing slugs."
So I feel you.
- Yeah, and then
they keep on saying sh*t.
- You know what I'm saying?
- Yeah.
- Like where the f*ck
Sky just go?
- Okay, so listen.
It's f*cked up.
- So now we have a party
and tomorrow we have a
party here in Portland.
- Oh.
- Really?
- More money, 'cause our money
was on the jet yesterday from Arizona.
- All right.
- Crazy 'cause this is
a small town.
- The deal is,
I perform first, please, thank you.
- Yeah.
- No.
- You always perform first.
- No, you actually
gotta perform last.
- Every time.
- 'Cause the last time
you performed first, you left.
And you left us.
- All right,
I'm not helping with the crowd at all?
- No.
- What are you talking about?
- Because
when you perform first.
- I gotta go first,
just settle down.
- Then you leave us,
then you leave us.
- I left because I had
another show after.
f*ck, f*ck that.
- Yeah.
So what's up?
- I got a appointment
here with my nigg*.
- You can't leave us.
- What is you talking about?
- You gotta stay with us.
- I got money in Arizona, nigg*,
I hit the show with y'all.
- All right.
- And then I went to go handle
my sh*t with my nigg*.
Scotty Body.
Hello, mama.
That big-ass booty.
- What's up, Scotty?
- Scotty, where the f*ck
you been at?
- See, I didn't know you
and Scotty is cool like that.
- Where you been at?
- I never even seen you,
what's up, Scotty?
- You never know.
I'm cool with all the girls.
I mean, so far so good,
everybody's still giving me good energy,
everybody's still giving
me good party vibes,
everybody's happy for once.
- If you had another booking,
you would've left too.
- It was the same booking,
had the same people hitting me too.
- Yeah, catch all your bags.
- Slide over here, what?
What you mean?
- f*ck is you talking about?
f*ck is you talking about?
- f*ck, when I promote,
"Oh, I'm out here?"
- It's the only time
to get the vibe, bitch.
- "Okay, cool."
- So you got another bag to catch,
then can't nobody be mad about that.
- I guess the conversation dry as f*ck,
so they get me out my little
like, you know, dry bubble,
like, "Rock, where you at?
Come on."
Bitch.
Aw, damn.
Them ginger ales.
- Scotty.
Now, Scotty.
- Janky-ass shoes.
Get them janky-ass.
- What the f*ck?
- This the second ginger ale
that done fell.
- Scotty.
- Them hoe's shoes
janky.
- No, that sh*t was like
a rocket.
- Here, give me some.
- I swear.
- Aw, bitch,
my Louis, bitch.
Bitch, you owe me a new scarf.
- My Louis.
- Look, I need a new scarf.
This one like 10 years old, bitch,
I need a new Louis scarf.
You got my sh*t wet.
- Let me hold it with you.
Wait, I'm actually.
- Yeah, I was just holding it.
- Hold on.
All right, but I'm about to take a shot.
- But I did like this
and you just.
- Baby, I need a.
- She just wanna be like
my little sister in real life.
You just
took my whole chaser.
- No.
- Did y'all get that?
No, y'all got it.
That bitch just grabbed my.
- No, I went like this, and you were like,
"You're spilling it on me."
- Natalie.
- She is such a diva.
- Is this hers?
- She's a diva.
- Is this hers?
- It was hers,
but I was holding it for her.
- Well, give it back, bitch.
- Oh, now Mama Goose getting.
- Give me my sh*t, man.
Give me my sh*t, man.
- Give it back,
it's hers.
- Give me my sh*t, man.
- No, give it to me.
- It be a lot of.
- Stop playing.
- Simple-ass sh*t
y'all be going through.
- Stop playing.
- Is that f*cking hers?
- Yo, I had it for her.
- Give it back.
Stop playing.
- I had it for her.
- Yo,
- y'all is funny.
- She wanted her sh*t back.
- I was holding it for her.
- Yeah.
- She wanted her sh*t back.
It's hers.
- I don't want it
to spill on her.
- You got makeup on,
you look pretty, stop playing.
- What are you talking about?
- Stop playing, you being
too aggressive right now.
- She wants to take her shot.
- Yo, man,
no, no, I'm not gonna take this from her.
- She just took my whole drink.
- She's always extra with her,
bro, she puts her f*cking.
- I'm taking shots, but
I'm taking 'em slow,
and it's like, it's weird
because it's right when I
feel like I wanna take a shot,
I'm trying to take a shot,
and then she just grabbed my chaser.
Why do you wanna hold my drink?
I'm about to take a shot.
- No, just calm down.
Nah, I don't
give a f*ck, hold your drink.
Oh, you want some?
- No, I don't,
not anymore, maybe I did.
- She take my chaser, bitch,
get off my chaser, what?
She just look at me
crazy and just take it,
like, bitch, how old are you?
- Loves you.
- Drinks my drinks,
and doesn't even let me
hold her f*cking.
- Bitch, you offer sh*t,
shut up.
- No, no, no, no, no.
- I do not.
- You give it.
- What?
- Hold on, hold on.
- You know she loves you.
Before I get to digging,
you already give that
impression that you a sharer,
so don't hit me with that.
- I do, but I couldn't
hold your?
- So don't throw sh*t up,
bro, like that.
You literally was playing with me,
'cause I'm trying to take a shot,
you f*cking up my shot rotation.
Like, what is you doing?
- Yeah.
- Natalie comes outta
nowhere being something else,
and then it hurts y'all,
and then y'all run back
and we all kumbaya about it,
but then we get it over with
'cause we love you at the end of the day,
but at the same time.
- Yeah,
but you be playing with me.
- I kept a wall up with you
'cause I'm a boss bitch.
- Five times yesterday,
I counted, no, you my nigg*, right?
Can I talk to you like a real bad bitch
to another bad bitch?
- All right.
- Or no?
- We can,
but you blocking the shot.
- Five times yesterday.
No, I don't care about
none of this camera sh*t.
- All right, back it up.
- Five times yesterday
you made me feel some type of way,
you ready for it?
- I would be, yeah.
- No.
- So talking to me, you talked before
What?
- Yeah, five times yesterday
you made me feel some type of way.
- How?
- I'm about to
break it down to you.
- All right.
- Number one,
I'm talking to you, I said,
"Oh, my knee's bothering me."
"Oh, it's 'cause you old, bitch."
What?
Who said that you not?
- I'm sorry, I'm sorry.
That got me, I'm sorry.
- Nah, get to the, all right.
- What?
- So, get to the,
no, no, no, it's not funny.
- All of a sudden, the vibes
were just so off with Chrisean,
like attitudes were coming
on the bus from nowhere,
like it was just drama.
- Now, who said that?
- Tell me.
- That's what she did.
- Side of my story,
another side of my story,
just let her get her side out.
- Hold on, yo,
y'all gonna let me finish?
- You gotta get your side out.
Just let her.
- See, every time
I say something, I can't talk.
- Get her side out.
- No.
- All right.
- No.
- Let Natalie talk now.
Y'all gotta let Natalie talk.
- So let her get
her side out, let her get her.
- It's always funny though.
- Shh.
- I swear to God, I told her
to let you get your side out.
- But it's always,
let me f*cking finish, bro.
- I just told her
to let you get your side out.
- I never
thought it was funny.
- Let me finish.
- Yeah, that's what I said.
- Uh-oh.
It's always funny, bitch.
Yeah, laugh, it's always funny,
but I pray you get to my age.
- No,
no one said it was funny.
- And I pray
you get to my age.
All right, so back up.
'Cause sh*t's crazy out here.
- Don't get in my face.
So I'm like, "Oh, here
she go with that sh*t."
- See, that's why
I can't talk to her.
- That's so disrespectful
'cause I'm not in your face.
- No, what's disrespectful.
- I'm not in your face.
No, what's disrespectful
is what you said about me.
- I'm not in my face.
Because when I get like this.
- What was disrespectful
was what you said about me.
- I swing, you know that,
so why are we doing that?
- No, I'm talking to you like.
- Let's talk then.
- Oh no.
Bro, come on.
- Look, yo, we gonna talk, let's do that.
You said
some hurtful sh*t to me.
- I said some real sh*t.
- But at the same time.
All right, then I'm old,
but I pray for you to get my age
and be rich like me.
- Look, bitch, look, look.
Yeah, be a bad bitch like me.
- nigg*s be calling
me childish.
- I pray for bitches
to get to this age.
You know, Chrisean's
throwing little shots,
"Oh, you're old, you're old."
Like, "Y'all just do too much,
and it's all about me, it's all about me."
- No, don't.
- Bitch,
I pray for you to be my age.
- Girl, spilling alcohol
all over me.
- Wait a sec.
- I told her.
- Man, get me the f*ck
of this bus.
- No.
- I'm good, I'm good,
I don't wanna about the sh*t.
- Shut up.
Yo, bro, yo,
hold on, hold on.
- Hold my jacket, girl,
I wanna go.
- Hold on, man.
- Nah, these little girls
keep playing with me,
I pray for them to get to 37.
Yeah, yeah.
- Mm-hmm.
- It's real in these streets.
- Mm-hmm,
and you still be on top.
- nigg*.
And ain't going nowhere.
- And still be on top.
And still be on f*cking top.
- I ain't going nowhere.
- And still be on top.
- Bitch,
you're getting weird.
- She can say
whatever she wants about.
- Just the way she been
playing with my age.
- Y'all behind your back.
Everything I wanna say to
her, I say to her face.
- It's just like, I already know
nothing good finna come out this sh*t.
- Back up.
- And bitch, that sh*t
been real, that's when
that sh*t gets real.
- Five times yesterday.
- That sh*t been real.
- Five times yesterday,
she been playing with my age.
- That sh*t been real.
- "Oh, you old, you old."
- 'Cause who the f*ck?
- All I said was, "Oh, my knee feels
a little bit sore."
- Bitch, I don't give
a f*ck about none of that.
- "Oh, 'cause you old,
bitch."
- I don't give
a f*ck about that.
- I pray for y'all
to get to 37 and be that bitch.
- Yes.
- That's right, I wanna see
what the f*ck going on.
- And be out here doing what I do.
- Hey, I don't know what
these bitches got going on,
but Natalie come to the front of the bus,
I just don't know who
the she's talking about,
'cause she talking about
her in third person,
so I'm like, girl, put a name on it.
- So it's your karma,
like it's something that
you gotta deal with,
'cause the way you just is.
You know who you are,
so nigg*s gotta call you on the spot
because that's who you are.
- 'Cause everybody
want a friend.
- If we don't call you
on your spot.
- Everybody want a friend,
that's the problem,
everybody want a friend.
- Bro,
if you don't call Natalie out on the spot,
she gonna play with you,
and then when she play with you,
it's gonna hurt too bad, no.
- Whatever the f*ck I want.
- What?
- That's the funny thing.
- Y'all know
what the f*ck it was?
- That's the funny thing.
What the f*ck
that sh*t about?
- Yeah,
yeah.
- At 37,
I do whatever the f*ck I want.
And I feel like I want y'all all
- to f*cking get to 37.
- Bitch.
- Be bad bitches.
- Matthew.
- Do what the f*ck you want,
don't let no nigg* run you.
- No.
- You get your own money.
- Let's go.
- You got your own businesses.
- Let's go.
- Yeah.
- Period.
- "Oh,
you're old," five times
yesterday in the lounge.
- Who?
- At the party jet.
Five f*cking times.
- Soon as we pull up to
the house, it's a mansion.
All the other houses was cool,
but this was a house.
Like I'm super excited about this one.
All right,
we live, we going live.
- Here.
- Thank you,
thank you so much.
- Natalie decides to go live
so we can hype Portland up,
because we going out tonight,
we wanna make sure all the fans come out.
- Oh, that's up there?
- Who going live?
- Good question.
- Portland.
- Yes.
- Ah.
- Portland, Oregon,
what is it?
- sh*t.
- We outside.
- Who here
performing tonight?
What? We outside.
All right, guys,
I'm gonna take you through the bus,
you're on the Baddie Bus,
this is an exclusive.
Oh, oh, I can't.
- Tell 'em to add me.
A bitch here.
- I wish our ass can,
we'd be back here,
and then hang up on they ass.
- Tell her add me.
- We here, we about f*cking here too.
- What we did in the last city though?
- We shut it down.
- Everybody had
a Zeus subscription,
everybody, they had Zeus subscriptions.
- Got that money, money.
- Money.
- $100 bills.
- $100 bills.
- I thought it was 1,000.
- Subscribe to Zeus
before you get to the club.
- Hold on, wait, wait, wait.
- f*ck that, we start throwing,
bitch, and
we outta here.
- Like I'm on my phone,
I'm trying to post this Instagram post.
They go live, then they try to block me.
The f*ck?
I can go in.
- Let's head to the back.
Yes, I can.
What are you standing right here for?
- Move.
- No.
Natalie,
tell this nigg*, "Move."
All right,
all right, all right.
Tell this nigg*, "Move."
- All right, relax.
- Tell him, "Move."
- What's up?
- What you being weird for?
- Hey, what's up?
- Yeah, we in Portland.
- We live, but y'all get,
oh my God, I'm f*cked up,
and these bitches playing,
and Natalie playing.
You was.
- So I go live on Instagram,
and Chrisean's got an attitude,
and it's like, "Girl, stay in your lane."
- I decided to come out here,
because I'm enjoying myself
with all these girls,
'cause they're cool as sh*t
and I'm f*cking with everybody.
But soon as I feel
disrespected, it's annoying,
because I didn't come here to fight.
And if I'm fighting,
you gonna be real upset.
- Rock, what's going on?
- What happened, Rock?
- 'Cause I'm fighting,
I'm sliding.
- Nat and Rock,
y'all do this big sister, little sister,
rather if it's fake or not.
I don't give a f*ck.
I zone these bitches out,
I do not listen to y'all
when it comes to drama.
- You gonna say what happened
over the phone.
- We outside, Portland.
We got the biggest motherf*cking crib
in Portland.
- That's what happened.
- I cannot wait to see it.
- That's what happened,
we about to steal this sh*t.
- Natalie,
I'm in your motherf*cking master suite.
Because why the f*ck you
always get the master suite?
- Yeah, that part,
that part, that part.
- She get master
in every house.
- I'ma put my name on.
- Bye.
- Security, security,
- security.
- So what, bitch?
- Stop, whoa, whoa,
whoa.
- Just say what's wrong.
- Hey, why are you still
- back here?
- Hey, hey.
- Chrisean just keeps picking at me,
and she just keeps picking at me.
Girl, like, "Stop, stop."
Peaceful, come over here,
be a peaceful bitch.
- If I feel disrespected,
I'm gonna slap the sh*t
outta you, bro.
- Rock,
come be a peaceful bitch.
- I'ma bitch slap you, bro.
Come here, be a peaceful bitch.
- They're not even trying to see
what I'm talking about.
- No, I love you.
Come be a peaceful bitch.
Like you look cute,
I don't wanna f*ck up your hair.
No, bitch, you
look cute too.
- I will bitch slap you, bro.
- No, come here.
Natalie and Chrisean are
having this back and forth.
Like I feel like Chrisean
is just trying to get her attention,
Natalie is just not
trying to hear that sh*t.
This is not gonna end well.
- Hey, hey, hey.
She ain't turned me wrong yet.
- I'm talking to you.
- Solid as f*ck.
- Bro.
- Bro, bro, bro, whoa, oh, oh.
- Chrisean just smacked
Natalie on live, crazy.
- Bro.
- Why did you smack me
in my face like that?
- Natalie,
Natalie.
- Why the f*ck
you smack me in my face
like that
- 'Cause you're ignoring me,
bro.
- No, nigg*, what?
- Come on.
- I'm ending this
f*cking live.
- Bro, bro.
- That's so f*cking disrespectful.
She was just like,
to Natalie.
- That's so f*cking
disrespectful.
- Bro, you're so
disrespectful, bro.
- When I'm on live.
The f*ck is wrong with you?
- Bro, bro.
- Bro.
- The f*ck you talking
to me about?
Bro, what the f*ck?
- Bro, bro.
On f*cking live.
- Wait.
- No, f*ck that.
Bitch, I ain't even slap
you that hard.
You gonna hit back, mm?
- Get the f*ck outta here.
No, she gotta go, that's it.
- Relax, relax.
- I got your attention.
- Give me my sh*t, out.
- You acting like.
- Get that bitch the f*ck
up outta here.
- I hit you hard.
- Please.
- Get her the f*ck
up off my show.
This ain't your sh*t, bitch.
- No, no.
- What happened?
Did you see it?
- Get her the f*ck
off my sh*t.
- You did?
Y'all nigg*s got me
f*cked up.
- I didn't see her.
- Hey, hey.
- I didn't see it.
- Get her off the f*cking bus.
- Did you see it?
- I get off the bus
because I really am not about
to do all this on the bus,
and I'm just waiting for Chrisean
to get the off the bus
so we can square up,
'cause at this point,
you not about to put your hands on me
and think sh*t's sweet, no.
Yo, bring that bitch outside right now.
Bring that bitch the
f*ck outside right now.
That's what you do
to your kids.
- Y'all keep treating me like a kid.
Play with me, I will
treat you back like a kid.
- Bring her the f*ck outside.
I'm not playing with you, my nigg*.
I swear to God, on my
motherf*cking life, bro.
- Why y'all keep acting like
I'm just gonna be talking to y'all
and not do what I said?
Like that's, all right,
I'm about to like
slide.
You just disrespecting me,
and I told you about this,
it's multiple times on and off camera,
you do weird stuff.
And then I always let you slide,
I'm tired of letting you slide, ho,
so I just had to slide
on her a little bit.
- Bring her the f*ck outside
right the f*ck now.
Bring her the f*ck outside.
Bro, you about to make
me real f*cking mad.
Bring her the f*ck outside.
- Like she keep talking like,
"Yo, you hear me, right?"
Oh, you tapped her.
- But hard a little bit,
like, "You hear me, right?"
Y'all nigg*s
keep playing with me, bro.
Y'all keep playing with me
like I'm really not the
baddest bitch around here.
Anybody right now can get it.
It's up, what's up?
Yeah, I'ma show y'all some real sh*t.
- Natalie gets off the bus,
so I walk outside to check on my bitch,
make sure she's good.
- Nat.
- Yeah, I'ma show y'all some real sh*t.
- Nat, I didn't see.
- If you say a f*cking thing
to me, bitch.
- Wait, wait,
wait, wait.
- Don't f*cking say
sh*t to me.
- Wait.
Nat.
- I said shut the f*ck up.
I said shut the f*ck up.
- Why are you shouting at me?
- You are nothing to her,
and she treats you like that every day.
- Get up,
ain't nobody holding you down.
- Natalie,
Natalie, I actually.
- Get up, get up.
- Nah, never play with me.
Gotta respect me, that's love,
long as you respect me.
- I respect everybody here.
- Then say, "You my little sister,"
and then disrespect me
when you get the opportunity to do it,
that's weird.
- What the f*ck is up, Portland?
Northwest Side.
Oh, it's gonna be real challenging.
You went home, huh?
Yeah.
- Chrisean's like, I know
she thinks she's the show,
but you're not.
- You were so drunk
you attacked your own friend last night.
- Scotty's laughing in the video.
- Are you not coming back tonight,
you need a break or what is it?
Natalie is a weird-ass bitch,
I don't want that sh*t around me.
- I'm just ready to hurry
up and get this over with,
honestly, I'm just over everything.
- Me too.
I went
outside to check on you.
- How are you gonna?
- You used that
as a opportunity because you were upset
and made me look like a punk.
You really just showed me,
I'm not your friend, you're not my friend,
we're not friends.
